Panel Discussion

The Z-Axis panel brings together artists, administrators, researchers, and theorists to discuss innovation, technique, and collaboration within new media practice in and beyond Saskatchewan. Specific topics include strategies for technical expertise-building such as networking and collaborative practices, innovation, and the translocal as methods of strengthening the position of Saskatchewan artists in international new media discourse.

Participants:

Moderator: Ellen Moffat

Panel participants: Garnet Hertz, Jeff Morton, David LaRiviere, Regan Mandryk, and Gary Young

Schedule:

Saturday, July 25th, 2:00pm - 5:00 pm, 424 20th Street West, Upstairs Event Space.

2:00: Panel Participant Presentations
3:15: Break
3:30: Panel Discussion
5:00: Closing Remarks

Panel Details:

The panel will be a 2-phase event with presentation and discussion. Initially, each of the five panelists will present a single project of her/his own work that relates to the themes of the exhibition. The initial presentation will be between 10 and 15 minutes in duration (maximum 15 minutes ). A-V digital media support material is encouraged.The second half of the panel will be a discussion of topics as identified in the section below among the panelists. Questions may also be directed from the floor. Please be prepared to respond to these questions.

The term “translocal” refers to practices, spaces, nodes, networks, and relations and suggests a shift in artistic methods and practices where the local is defined by the community, and not necessarily by traditional physical geographies.

Technique: The specialised nature and technical demands of new media often require that artists expand their connections within a community of technical experts, often beyond their immediate geographic environment. Artistic production is no longer bound by the technical expertise or skill-base available in the local. A spin-off to this situation is the cross-pollination of ideas, skills and resources made possible by these new networks, and this cross-pollination can facilitate rich and meaningful collaboration between people with varied skill sets and aesthetic concerns. As such, new media production often engages in translocal production in order to make technically and conceptually complex projects possible. What have your experiences been with building creative teams, in a local and translocal sense? How has the ground for collaboration been solidified by working within and outside of your local community? How has working with new technologies expanded your idea of the local?

Collaboration: As a practice, collaboration has numerous interpretations, experiences and evaluations. The motives for working collaboratively may be political, social, ideological, pragmatic, or as a research laboratory investigation. What is your approach to collaboration: as creative research, as a project that is co-defined and co-authored from its point of inception, as an opportunity for production as co-development, or something else? What makes a collaboration successful... or, unsuccessful? Are there tips or resources to facilitate collaboration? How are the participating collaborators credited? Are there differences between the theory of collaboration and the actuality of production? If so, how are these reconciled? Is collaboration in new media different than in other practices?

Innovation: Translocal projects create new kinds of geographies and new cultural forms, as well as local spaces. Does the translocal affect collaborative practices? If so, how? Do networks and remote communication systems compensate for the absence of direct contact? What does it mean when one’s community is half-way around the world? What about this form of collaboration enriches the creative process? What are the consequences of translocal production on artistic practice, technical expertise-building, and for the local community? How does translocal collaboration set the stage for innovation in new media art, and what tools exist for facilitating innovation in collaboration? How can the innovation afforded by translocal networking be applied to the local?

 

Exhibition
(Installations and Screenings)
June 5th - July 30th, 2009
A/V Workshop 1:
Pure Data Dance Party
Saturday, June 13th
A/V Workshop 2:
DIY Video Mixing
Saturday, June 27th
A/V Workshop 3:
Slammin' Jammage
Saturday, July 4th
A/V Workshop 4:
VJ - DJ Collaboration
Thursday, July 9th
Concert
Friday, July 24th
Panel
Saturday, July 25th